STUDIES – COVID & THEATRE
Friday 28 August
A research team at the University of Exeter has published its first report on how Oxford-based Creation Theatre have managed to comprehensively transform their company from producing site-specific, immersive promenade work to staging interactive digital theatre shows using the Zoom platform.
The report analyses the company’s business model, its audience’s willingness to pay for digital content, and explores the wellbeing as well as environmental benefits of digital work. It includes a Digital Toolkit that combines practical advice and a Zoom show checklist with guidelines, drawn up in consultation with Equity, for companies embarking on their own digital transformation.
Thursday 9 July
The UK Governement official guidance for the Performing Arts industry
Wednesday 8 July
“…Racism and white supremacy are cultural formations constructed to rationalize unjust behavior for economic gain, and eradicating them requires radical change on both cultural and economic fronts. We also wish to underscore that our emphasis on antiracism should not be taken as an excuse to overlook sexism, ableism, ageism, heteronormativity, gender binarism, and transphobia, as our identities are intersectional…”
Thursday 23 June
Alan Law – Event Safety Advisor presents this 25 minute video about preparing for and delivering events in a Covid-19 world.
Thursday 23 June
“Over the past couple of months SDUK has been working to ensure that the freelance workforce is protected and represented.
As part of our work we are releasing some research into the importance of the freelance workforce in the creative sector, and also into a variety of financial schemes that have helped support a freelance workforce in other contexts. These ideas are starting points for discussion – this is an ‘opening offer’ rather than a fixed set of recommendations.”
Download “Supporting a Freelance Creative Workforce” here: Supporting a freelance creative workforce
Wednesday 17 June
A group of theatre production electricians have come together to launch A Covid Theatre Practice – a platform for anyone who works backstage in UK theatre to share ideas on how we may have to work differently when theatre re-opens post pandemic.
The group consists of Gerry Amies, Martin Chisnall, Fraser Hall and Pete Lambert; all of whom are well known on the West End theatre circuit and between them are responsible for working on thousands of shows over the years.
Martin comments: “We were all well aware of the hard work being undertaken by a lot of people in considering how theatre can re-open at all, but we weren’t aware of anybody thinking about the finer details of what we do, and how that might need to change in order to get a show onstage i.e. how would you ‘do a fit up’. We then realised that we were as qualified as anybody to have a go at detailing what this may look like so we started putting our heads today. As such, with the help of friends and colleagues we’ve come up with a list of ideas and suggestions”.
Download “Production Lighting in a Post Pandemic World” here: Production Lighting in a Post Pandemic World
Monday 15 June
“Paul McCartney once said the cooperation of a choir makes him feel “optimistic about the human race”.
But for those who love to sing with others, the expert view on whether we should do so during the coronavirus pandemic is less than optimistic — now is a very risky time to belt out a tune together.
Some experts have even described choirs as ‘super spreaders’.
In the early days of the COVID-19 pandemic, several clusters (and subsequent deaths) within choirs in the US and the Netherlands provided a frightening wake up call for the choral community.
Since then singers have been asking the ABC when (or if) they will sing face to face again, and to help explore the risks associated with singing.”
Thursday 11 June
Dr Adam T Schwalje, Resident Physician , Otolaryngology – Head and Neck Surgery at University of Iowa Hospitals and Clinics, has been working on a full assessment of the risk of speading Covid-19 by playing wind and woodwind instruments.
Together with his colleague Dr Henry T Hoffman, Dr Schwalje, who is himself a wind player (pictured), has written this paper for publication in medical journals.
Thursday 11 June
This seminar was chaired by Phill Brown from SOLT UK Theatre as he discussed Health and Safety planning for COVID-19, with a panel of Industry Experts. Phill was joined by ABTT Chairman Richard Bunn (ARUP), Tom Goode from Goode Projects and PLASA, Stu Beeby & Stuart Graham from the Ambassadors Theatre Group, Emma Wilson from The Royal Opera House, Gary Wright from Charcoal Blue and Gav Pell from Pirate Crew. Together they investigated the way forward for our Industry after the current pandemic, possible strategies for reopening and the precautions that must be in place for this to happen.
Full Findings Statistics ‘at a glance’ here: After The Interval at a glance
Read the Full Report here: After The Interval full findings
Tuesday 9 June
This video intends solely to show that the the commonly held belief that wind and brass instruments “project” air over great distances is not true. As a result, “droplets” are not spread a great distance as some assume. This video does not address any aerosol issues. Aerosols may or may not be a significant means of transmission. While there have been studies that show aerosols can remain in the air for a period of time, it has not (as of yet) been shown scientifically that this is a major means of actual virus infection. While anecdotal, it should be noted that there are not generally huge outbreaks of flu each year in orchestras and recording studios. If aerosols were a huge contributing factor in virus transmission, one would think that every year there would be large outbreaks of flu in performing organizations. There are not. This video is not, in itself, a scientific study, but was meant to demonstrate information provided in other scientific studies. For those interested in these studies that are specific to musical instruments and performances, please investigate the following links:
Monday 8 June
Indigo – A consultancy for the cultural sector – has produced a national report “After the Interval” a UK-wide survey of 137,000 attenders of live cultural events.
The full findings after 6 weeks of surveying over 137,000 audience members from 317 organisations show that audiences are booking less, and becoming less confident about attending large gatherings without social distancing measures in place.
The full study received responses from 16 April – 27 May, before the latest set of lockdown relaxations were announced. So this research reflects what audiences were thinking and feeling during that six-week period.
Full Findings Statistics ‘at a glance’ here: Full Findings Statistics at a glance
Read the Full Report here: Read the Full Report here
Thursday 4 June
This document is intended to provide high-level guidance to manage COVID-19 specific risk in producing film and high-end TV drama in the UK.
It has been prepared in consultation with the Department for Digital, Culture Media and Sport (DCMS) with input from crew and crew representatives, industry bodies, unions and the devolved administrations in Wales, Scotland and Northern Ireland, and in consultation with Public Health England (PHE) and the Health and Safety Executive (HSE).
This guidance should be read in conjunction with the latest UK Government guidance. Productions based in Northern Ireland, Scotland and Wales should additionally check for the relevant devolved Government guidance as it may differ.
Download the study here: Working Safely During Covid19
Monday 1 June
‘It feels like a sector wide (creative art/cultural industries) research document taking a snapshot of the current situation for freelancers, would be so helpful in the rebuilding phase.’
Over 70% of the Creative Industries is a self-employed workforce. There are also many entrepreneurial individuals who run small companies with under 5 staff. These independent thinkers and makers are the life-blood of the arts and culture sector and an important part of the cultural ecology in the UK.
Covid-19 is having a devastating effect on these people.
This document is a snapshot of this time as experienced by those working
in the performing and visual arts in England. It outlines some key problems the independent workforce is facing, and presents a series of ideas and visions that might contribute to a vibrant, impactful and imaginative Creative Industries sector now and in the future.
Download the study here: This Is The Time Report
Monday 1 June
“The Culture, Welsh Language and Communications Committee is looking into the impact of the COVID-19 outbreak on areas within its remit, including the arts….”
Download the study here: Impact of Covid on the arts sector
Wednesday 27 May
Roadmap for Recovery & Resilience in Theater – A Collaboration Between the American Repertory Theater at Harvard University and the Healthy Buildings Program at the Harvard T.H. Chan School of Public Health
“For theaters around the world, the COVID-19 pandemic has resulted in existential uncertainty about our future. It has also created an opportunity for a necessary reset and reimagining.
As we look to our future at the A.R.T., we see an opportunity to make an ongoing commitment to public health in our practice and our programming. We view this as a process that will guide our work for years to come. This journey will eventually include the creation of our new home in Allston—a breathable and healthy building that will provide a space for vital civic dialogue about the world we want to be.”
Wednesday 1 April
“It’s true that Broadway didn’t close during the so-called “Spanish” flu, but public entertainment venues were indeed closed in London and almost every other city in the US. While the performing arts industry is currently reeling from the blanket closure of venues, we can find useful guidance in the precedent of that earlier pandemic.
Following the re-opening of theatres, there was increased scrutiny of the health-worthiness of places for entertainment. Public health was on the mind of the theatre-going public and theatres began to boast about ventilation in advertisements.
The closure of venues in 1918 was not a death knell for the arts. The decade after the 1918 flu, fuelled by the post-war boom, saw the rapid development of theatre venues and a sustained period of well-funded creative development.
As audiences and artists return, venues will need to make a number of quick shifts. Audiences will need to be assured that attending events is safe. The conditions for artists, likewise, may need to be modified according to new best practice. Short-term impacts on certain performance types may also be experienced. We have every confidence that post COVID-19 performance practice will look largely the same as before.”
Download the study here: Performance Buildings in the Post-Pandemic World