Who: Represents over 40,000 staff, contract and freelance workers in the media and entertainment industries.
What: “As a trade union, we are passionate about all the key issues that affect our members.”
Covid Specific Info: “This page brings together all our advice on coronavirus. Do check back here on a regular basis as it will be updated each week as new information emerges.
Who: Represents 47,000 performers and creative practitioners. Actors, singers, dancers, designers, directors, stage managers, puppeteers, comedians, voice artists, and variety performers working on stage, TV, catwalk, film, recording studios, night clubs and circus tents.
What: “Equity brings together entertainment professionals and ensures their demands are heard: whether these are for decent pay, better health and safety regulations, or more opportunities for all – regardless of gender, ethnicity, sexuality, disability or class.
Even when our members perform solo, they are not alone. They are always part of the Equity community.”
Covid Specific Info: “Equity will continue to update its members on issues regarding coronavirus, please follow our social media channels and check the website regularly.”
Who: “We are people of diverse races, genders and ages, from every area and country. We have diverse backgrounds and a multitude of different skills, but we have the same goal—to win better conditions at work, and a fairer world tomorrow.
Many of us work on a casual or part-time basis and many of us are on very low wages. Many of us are women, and are from culturally and linguistically diverse backgrounds. It is from this diversity that we gain strength.”
What: “The IWW is a revolutionary global union, fighting for better conditions today and economic democracy tomorrow. By training our members in powerful organising methods, direct-action and direct-democracy, we put power in the hands of workers.
We believe that ordinary people are best placed to lead and create change, both at work and in society. We put our members in charge, training each and every one to build and lead their workplace unions, organise their own campaigns and take the action that wins.
We’re an active and fighting union. We know solidarity is strength, and we prove it by looking after each other. We provide advice and representation when you have problems at work, but we’re much more than that.”
Who: Represents over 32,000 musicians working right across the music industry
What: “As well as negotiating on behalf of musicians with all the major employers in the industry; we provide advice, services and assistance tailored to each individual member.
We are behind every musician – whether you are full time, part time, self-employed or a student musician.”
Covid Specific Info: “Find advice and read the latest news on Coronavirus for musicians”
Who: “UVW is a members-led, campaigning trade union which supports and empowers the most vulnerable groups of precarious, low-paid and predominantly migrant workers in the UK”
What: “We campaign for all members to receive at least the London Living Wage (£10.75 per hour as of Nov. 2019), contractual sick pay and other rights, dignified and safe conditions, and general respect. We also challenge outsourcing itself, which creates two-tier workforces in order to slash wage bills and deny important rights.
We were the first union in the UK to beat outsourcing.”
Theatre Specific: “Workers in the design and cultural sectors are conning together to organise for our collective rights. Join us!
UVW’s Designers + Cultural Workers (UVW-DCW) is a cross-sector trade union organising isolated and groups of workers across the creative industries.”
Who: Represents professional writers in TV, film, theatre, radio, books, comedy, poetry, animation and videogames. Also includes emerging and aspiring writers.
What: “We lobby and campaign on behalf of writers, to ensure their voices are heard in a rapidly changing digital landscape.
We offer a range of benefits to our members, including free training, contract vetting, a pension scheme, Welfare Fund, entry to our Find A Writer directory, a weekly ebulletin, plus member-only events and discounts.”
Covid Specific Info: “Covid-19 advice for WGGB members”
ASSOCIATIONS & NETWORKS
Who: “We’re a network for artists and cultural producers (curators etc) interested or working in the field of arts and health.”
What: “A place for artists to connect, learn and share. We support artists and cultural producers in the arts and health sector to be the best they can be.”
Who: “The ABTT is a membership organisation which sets and upholds standards in technical excellence, safety and compliance for theatre and live performance.”
What: “A resource to support members through the provision of information and advice on good practice, safe working and enforcement within the theatre industry. We advise on safety, planning, good practice and enforcement and provide publications to support your knowledge.”
Who: The ALD is the professional body representing all those who work or are interested in the creation of lighting, video and projection for live performance and events.
What: “At its most basic level, the ALD brings together a profession which is otherwise a collection of isolated individuals. With that unity comes strength and influence.”
Covid Specific Info: The ALD has put together an excellent financial survival guide which is relevant to all freelancers.
Who: The ASD provide a community for the UK theatre sound professionals and students.
What: “The Association of Sound Designers advocates for a diverse and inclusive theatre sound community, in which all members, regardless of race, age, gender identity, sexual orientation, physical ability, mental health, nationality, language, religion, belief, or socioeconomic background can work with dignity and in safety.”
“Our aim is to provide a community and a variety of educational and support networks – both online and in real life. We offer assistance to those who live far away from industry centres like London to be able to travel to our training events. We offer the loan of recording equipment to those who might otherwise struggle to access it. We also exist to provide a mouthpiece for the industry – to vocalise the issues our members face, and to improve their working lives. We also provide resources and open access training to non-members and the rest of the industry.”
Covid Specific Info: Coronavirus resources are available in the members through their login
Who: “A professional organisation of Casting Directors in the film, television, theatre and commercials communities in the UK and Ireland”
What: “To further our common interests in establishing a recognised standard of professionalism in the industry, enhancing the stature of the profession, providing a free exchange of information and ideas, honouring the achievements of members and standardisation of working practices within the industry.”
Who: “Our membership network comprises more than 10,000 individuals from creative organisations, businesses and educational institutions throughout the UK.”
What: “The Creative Industries Federation is the membership body which represents, champions and supports the UK’s creative industries
Through our unique network of creative organisations, our influential policy and advocacy work and our extensive, UK-wide events programme we support and celebrate the work of our members.”
Covid Specific Info: “Guidance from the Sector – Freelance and Self-Employed”
Who: “CITA is made up of costume professionals with experience of large and small scale theatre, Opera and Musicals. We are Dressers, Makers, Costume Supervisors; we work full time in Producing Theatres and we are part of an army of Freelancers.”
What: “We started getting together in 2015 when we felt that the role of the Costume Designer and the costume team was not celebrated enough and that our voices were not being heard………..
Amongst ourselves we recognise how valuable the contribution costume makes to a stage production. Not just in the design but in the actualisation of the design, putting the costumes to the test in the technical rehearsals and then the valiant care to maintain the designers’ vision throughout the run of the show.”
Who: “The Envelope Room supports, promotes and connects performance designers (including set, costume, lighting and video designers) based in Scotland”
What: “Through a programme of events and workshops, we encourage continued professional development for designers, enabling them to collaborate with other artists; expand their contacts; engage with international work; develop skills and enhance their creative practice. We aim to explore the relationship between designers and other theatre makers. Our goal is to strengthen the existing design community by creating an environment which enables designers to craft work of the highest quality whilst exploring the art form and allowing them opportunities to be part of the evolution of theatre design.”
Who: the Association of Independent Professionals and the Self Employed
What: “IPSE is the voice of the UK’s self-employed population who make up one in seven people working today.”
Covid Specific Info: “Coronavirus is both a health and economic crisis, deeply affecting the self-employed. Now more than ever, it is vital that this group is supported through fair government schemes and practical advice. We’ll be providing you with all the latest updates, and are here to answer your questions.”
Who: Producers who do not have a primary interest in the ownership or operation of any theatre
What: “The League was established by independent UK theatre producers to represent and promote their interests.
It sits alongside the established industry trade associations (The Society of London Theatre and UK Theatre) and exists to represent the interests of producers where they diverge from those of theatre managers and owners. Membership is therefore limited to producers who do not have a primary interest in the ownership or operation of any theatre.“
Who: “NRTF members are made up of a national network of Rural Touring Schemes who programme menus of professional artistic events that tour in their region. We also have artist, venue, promoter, producer and festival members all promoting and developing professional work for rural settings.”
What: “National Rural Touring Forum (NRTF) networks, develops and supports the ecosystem that delivers high-quality creative experiences across communities and rural areas in the UK. The aim of the NRTF is to strengthen and support rural populations to bring professional work to their venues.“
Covid Specific Info: “Associate membership to NRTF is now FREE for one year. Please go through the registration and check out using discount code – NRTF Free.”
Who: “One Dance UK is the sector support organisation leading the way to a stronger, more vibrant and more diverse dance sector.”
What: “We present one clear voice to support, advocate, enhance and give profile to dance in the UK. Our aim is to provide information, resources and opportunities for a workforce that is well-equipped to secure dance’s prominence in the cultural landscape of the future.”
Covid Specific Info: “Covid Guidance available below”
Who: “The voice of music, performing arts and live performance organisations” across Europe
What: “Created in 1991, “Pearle * – Live Performance Europe” is:
The ‘Performing Arts Employers Association League Europe’;
The European Federation of Music and Live Performance Organizations.
Pearle * represents through its members more than 10,000 managers or theaters, concert venues, theater production companies, orchestras, operas, ballet and dance companies, festivals, promoters and other professional organizations in the performing arts in Europe.
Pearle * is the leading organization on EU and international regulatory affairs issues affecting daily operations or live performance organizations.
Pearle * is led by an executive committee elected by the members every two years.
Covid Specific Info: A live map of venues re-opening after Covid-19 across Europe
Who: “The Foundation for Community Dance”
What: “People Dancing is the UK development organisation and membership body for those involved in creating opportunities for people to experience and participate in dance. Our membership reaches more than 4,500 dance professionals worldwide.
We have more than 30 years’ experience of working to give everyone the opportunity to enjoy dance. This work is also focused on driving excellence in community dance practice. We are inspired by our firm belief that everyone has a right to experience dance.”
Who: The Professional Lighting and Sound Association – “PLASA is the lead international membership body for those who supply technologies and services to the event and entertainment industries.”
What: “Through our membership services and commercial activities, we provide a voice and platform for professionals who supply technology and creative solutions to live entertainment, theatre and events.”
“PLASA supports its members by providing advisory and support services across business, technical, safety and regulatory issues, as well as a range of membership benefits, events and training courses, including three industry-recognised certification and training programs for riggers and production technicians.”
Covid Specific Info: “PLASA has been supporting its members by acting on their behalf in government communication and providing relevant resources. Recently, we published two infographics on the imputes of the pandemic upon Concert & Touring and the Event Supply Chain. We also launched the #EventsForTheFuture initiative with fellow industry asssocciations in which you can send our customisable letter templates to your local MP. Additionally, we created a members-only Facebook group and Linkedin group and published the results from our Members Impact Survey and Business Rates Survey.
Who: A Forum for Production Managers
What: “The Production Managers’ Forum (PMF) is a resource for anyone involved in the production or technical management of theatre or live events.
It enables members to share ideas, information and knowledge, and to connect with each other through the PMF website, social media channels, support hub, newsletters, regular forums and social events.”
Who: A trade association for companies and individuals involved in the live event production industry.
What: “Our aim is to represent, improve, educate and develop the business of technical production for live events. This is achieved by pooling the knowledge of the entire industry to create a single voice for the industry and a central resource for its members.
The issues that we deal with are those that affect the whole industry. The solutions we find are there for the whole industry. This can only be achieved with the help of the whole industry.”
Covid Specific Info: Regular email bulletins about the developing situation. Sign up below.
Who: A community for Stage Designers
What: “aims to be an open, ever evolving, growing community, supporting ways of coming together and connecting as we navigate ourselves out of these stormy waters. It’s a place for all: set and costume designers (both established and emerging) associates, assistants. A place for freelance creatives within the industry to join us in dialogue and unity.”
Covid Specific Info: Scene Change is running a series of workshops through lockdown with various specific design disciplines..
Who: “The SoA is the UK trade union for all types of writers, illustrators and literary translators, at all stages of their careers.”
What: “We have been advising individuals and speaking out for the profession for more than a century.
Members receive unlimited free advice on all aspects of the profession, including confidential clause-by-clause contract vetting, and a wide range of exclusive offers.
We campaign and lobby on the issues that affect authors and hold a wide range of events across the UK.”
Who: An organisation run by theatre designers for the benefit of theatre designers.
What: “SBTD advocates for designers at every stage of their careers.”
“As a registered charity, we have a responsibility to share and celebrate our work with the public. We do this via our exhibitions which take place every four years to coincide with the Prague Quadrennial of Performance Design and Space.”
Who: An organisation that works with, and on behalf of, our Members (producers, theatre owners and managers)
What: Assists and promotes theatregoing to the widest possible audience
“We deliver a range of services both to assist our members and to promote theatre going to the widest possible audience”
Covid Specific Info: “Links to all the government schemes and advice for the different parts of the theatre sector, whether you are a theatre, a production company, one of the many companies in the theatre ecology, or an individual who works in the sector. These links should take you to the latest “live” pages on other websites with the latest guidance and help.
This page: Coronavirus (COVID-19) – Government Guidance Library and Updates for the industry is a members login only page, even though it has the updated Government information on it.
This page: Wellbeing and Coronavirus (COVID-19)
Who: Professional trade organisation for stage directors across the UK.
What: “We are a membership organisation that represents the interests of stage directors and campaigns for better rights and working conditions. We aim to provide a sense of community and a unifying network for our members, and we offer support, training and professional development. SDUK is “by directors, for directors.”“
Covid Specific Info: “The international outbreak of Covid-19 (Novel Coronavirus) will undoubtedly affect the lives of working directors and their creative colleagues. It’s business as usual for SDUK, as we work remotely and can keep an eye on all advice and updates as they come in. Any members with questions or seeking reassurance, please [click on the link], and get in touch with us if you want to bring anything to our attention.” www.stagedirectorsuk.com/covid-19-advice-for-directors/
Who: “The SMA is the trade association for stage managers, providing advocacy and support”
What: “Advocacy – The SMA speaks up on behalf of stage managers, taking stage management issues to other bodies and organisations within the industry and beyond to find solutions to issues of all kinds affecting stage management
to do your work to the highest possible standard: the SMA provides training, information resources, a quarterly magazine, advice and helplines, mentoring and career development
to you as freelancer or employee around issues such as tax, contracts etc. as well as help finding work with the SMA’s famous Freelist (updated every month since 1964), an exclusive deal with Spotlight for SMA members only, a 25% discount with Mandy.com and jobs advertised on the members’ area of this website”
Covid Specific Info: Available in members only section of the website
Who: ‘a charity we support theatre producers and productions through educational and investment schemes’
What: ‘We facilitate a series of development programmes ranging from practical workshops, to financial awards. Unlike other arts funding, Stage One prides itself on supporting the producer and their career rather than just one specific project. You can find on this website further details on all our programmes and what would be most suited to you.’
Covid specific support for producers:
A Covid Support Fund which is able to give up to £5,000 to indeviduals who have interacted with Stage One in the past
A bursary scheme, launching at the end of August, open to anyone wanting to produce work.
Who: A theatre and performing arts membership organisation for both organisations and individuals
What: Provides a range of training, events and other professional services.
“Share knowledge, bringing you together with the right people or providing practical advice, UK Theatre supports you and your work.”
Covid specific info: Links to all the government schemes and advice for the different parts of the theatre sector, whether you are a theatre, a production company, one of the many companies in the theatre ecology, or an individual who works in the sector.
Who: “Voluntary Arts works to promote and increase active participation in creative cultural activities across the UK and Republic of Ireland.”
What: “To celebrate, encourage and champion people expressing themselves creatively in their everyday lives and practising their creativity socially with other people.”
We work across the UK and Republic of Ireland, with everyone who gets creative purely for the love of it. We also work with anyone who helps facilitate creative participation, those who fund it, provide spaces for it to happen, and the people who work alongside communities to support them in their creative endeavours.”
Who: “We are a collection of freelancers from the UK Freelance Task Force responding to issues affecting freelancers in Wales.”
What: “Our practical and creative responses will be through time-limited projects. We are also collaborating with organisations with similar aims to ours on our collective near-term goal of government action and financial support for freelancers.”
Who: A Public Facebook Group for the artists within the Performing Arts Industry
What: A group forum to “Share news, tips, advice or anything helpful to do with the Corona Virus and how it is affecting you/your business.
Welcome to the group. Setup to gather and curate the most useful resources for everyone working and living within the UK Theatre Industry during this troubled time.
We want to get you the help and resources you need, from verified sources, as quick as we can.”
Who: A Public Facebook Group for discussion of the future shape of the Performing Arts
What: “To whom it may concern: Just a thought…
A group is a platform to share thoughts, strategies, fears and how to go about things in order to re-invent and re-define the future of the performancing arts. As we may slowly stagger back into past the first peak in most countries this can serve as a springboard for different practitioners from different countries to speak up, share and maybe cross-pollinate what is to be the new exciting future. It is, after all, up to us to make it exciting.
So just a thought, and a sense of urgency as I see some movement and I feel there is need for cross pollination across the globe on this one, like COVID spread, but in reverse.”